Ooops! Let me start again…
See that colorful poster over the messy desk? The one of the eye-catching book cover?
That book cover is mine.
It belongs to the novel you'll soon see in bookstores–June 1, 2010, to be exact–all over the country.
It will also be inside Target, which makes me very proud, because I feel that the story–about a marriage disintegrating, and what others who are close to it project their own fears into it–would relate to many of us who shop there.
This cover was blown up to a size that is close to 2 feet by 3 feet. Since a book's cover is the first consideration for a book lover's impulse buy, unfortunately for me (but fortunately for you, since, hopefully, you'll be lugging it to the beach with you I hope I hope) it won't be that big when see it in the store.
When you see it, will you pick it up?
My publishing house, Simon & Schuster, is betting that you will. And since they're the horse that I"m riding in on, here's hoping they're right. They created a cover that implies people in a very public neighborhood setting, in close proximity–husbands, wives, lovers and other strangers–and yet they are aloof. As Woody Allen would say, "friendly, but not familiar."
And that's the crux of the story: does, as the adage goes, familiarity breed contempt? Does it kill passion?
Do we fall out of love when we reach the point that we know too much? If our partner's actions are mundane, are we boring, too, for putting up with it?
In this book, the divorce of a community's "perfect couple" sets off a rash of soul-searching for those who are on the outside looking in. These neighbors reason: if it can happen to them, how about me?
The only one who doesn't want to consider this is my heroine, Lyssa. She gets close enough to witness the destruction, and feels immune to the arrows of outrageous partners behaving badly–
Maybe because it hits too close to her own marriage.
Which brings me back to my cover. On the bench (which wraps around the whole book) are these four people. The middle two are in each others' arms, but what are they thinking about? Are the other two who share the bench with them strangers, or acquaintances?
The cover lends itself to the darker side of the story, although there is a lot of humor as well. (That's just the way I write.) Divorce is not murder or mass destruction, but it is still the death of trust and love; it is the destruction of a union that held hope.
What does it say to you? I'd love to hear your comments.
At first I didn't like it. I wanted something softer. In time, though, I
grew to appreciate its edginess. And in person, the colors are rich,
which make it eye-popping as well.
A note: for those of you who presume that authors get to choose their book covers, think again. Maybe if your first name is Dan, or your last name is Grisham you do, but for the rest of us, when it comes to a book contract, you may get "consideration" — in other words, they may take your opinion as to what you'd like to see on the cover — but the publisher has final say. His/Her decision takes into account the reaction from the sales team, which is out in the field pitching it to their accounts (who, by the way, swing a big stick, too, when it comes to covers).
From concept to cover,
Simon & Schuster/Downtown Press
In bookstores June 1, 2010. Order it
"Hollywood's got nothing on the cast of characters living in
bedroom community of Paradise Heights, who have the secrets, sex, money
and scandal of an OK! Magazine cover story. Josie Brown is a skilled
observer whose clever dialogue and feisty style make for truly
Collins, bestselling author of Hollywood Wives and Poor Little Bitch Girl
In bookstores June 1, 2010. Pre-order