As the days get cooler, the nights grow longer, our imaginations run even wilder, especially with All Hallows' Eve right around the corner.
No better time to discover some new fantasy TV series.
Amazon Prime has created a beautiful alternate universe—Burgue, akin to 1880 London— in which humans reluctantly co-exist with fairies (“faes”) and other fantastic beasts: gremlin-like kobolds, werewolves, and my personal favorite, “pucks,” who are saytres (half man, half ram).
These fantastic beasts, called “crits” by the humans, are war refugees in Burgue, which was its ally against the barbarous Pacts. Even so, except for those who have secured jobs as servants, they are confined to a ghetto called “Carnival Row.”
When a renowned Fae is murdered, a soldier-turned-police inspector, Rycroft Philostrate (“Philo”; one of Orlando Bloom's best roles to date) is put on the case. It brings him in contact with his long-lost love: a fae called Vignette Stonemoss (Cara Delevingne). Both thought the other dead in the last great battle between the faes and the Pacts. Both feel betrayed by the other. Their attraction and animosity for each other ramps up along with the killings of crits by some unknown mystical force.
Great stuff indeed.
Click below to see a trailer.
Or click the photo above to read a Vanity Fair article about the series' shoots-and-ladders journey from concept to greenlight for series.
Another interesting television series on Netflix, The Frankenstein Chronicles, does a realistic twist on Mary Shelley's famous novel. This is not a love story, but historical crime suspense about redemption for the early 19th Century London police investigator charged with finding a serial child murderer.
Or is it?
Starring a Game of Thrones head honcho, Sean Bean, the series takes place in the 1820s (as bleakly post-Jane Austen as you can get), a time when corpses were considered public property and legally dug up by “immortalists” (I LOVE that period-appropriate word for “grave robbers!”) for the scientists and doctors who are pushing Britain's political leaders to approve “the Anatomy Act” so that cadavers can be legally used for medical study.
The world-building is sublimely authentic. Even indoors, the poor actors seem to be freezing, if their chilled breath is any indication.
This show has already gone into a third season and promises more head-spinning plots based on things that go bump in the night.
Click the photo above for a great recap article; or the video box below for a trailer peek.
Scared and Bemused,