(Yes, I envision baby dementors as well..) #Halloween #Happiness — Josie
(c) 2005 Alex Steuart Williams (FLIP) and Erica Rothschild
I'm being serious.
Okay, here goes:
1. "I'd write, too, but I can't stand the thought of all the trees I'd be killing."
Yes, I've heard this one. My response back then was, "Don't worry. You won't sell enough books to raze a sapling, because your pub house won't push you that hard to begin with."
Today, I'd add, "And besides, most books are digital, so you can't use the tree-killer bullshit as an excuse not to write anymore."
2. "I'd write, too, but I just can't make the time."
Good. Stay busy. The world doesn't need anothor author. Here's a hint: It's not a hobby. It's a profession.
3. "Why don't you kill off your series' villian?" Because then I wouldn't have a series. And if I don't have a series, I don't have the rent money. I'll make you a promise: when and if he quits paying the rent, I'll quit writing about him.
4. "Honestly, what do you really do to pay the bills?"
Then again, I'm not JK Rowling, either.
If a writer is persistent and lucky, he or she will find that their income is somewhere in between minimum wage and unimagined wealth.
I'm not saying it's an easy way to make a living. It took years to crawl my way up beyond the government set poverty line. To make the rent, I wrote other things: game questions, greeting cards. magazine articles, even horoscopes. (No, I was not a licensed astrologist, just a mom with two growing kids who could go through money like the Pentagon).
5. "The best authors–like JD Salinger, or, say Margaret Mitchell– only wrote one, or maybe a just few, books in their lifetime."
Oh, really? I guess that leaves out Dickens, Twain, Wharton, LeCarre, Dreisher, Trollope, James, Chandler, Christie, and Doyle, to name a few–all of whom are on my favorite authors list–along wtih Salinger and Mitchell.
And by the way, some of the worst writers only wrote one book as well.
I'd say the odds are with those who get the most chances at the plate. Don't forget, Babe Ruth broke records for hitting home runs and for striking out.
Not to mention, a writer's skill level rises each time up to bat.
6. "When am I going to see you on the New York Times Bestsellers list?"
Maybe never–and that's okay with me. A Times review won't necessarily pay the bills.
For that matter, a Times review won't necessarily be a good one. Just ask any author who has been scorched, panned, or ridiculed by one.
7. "When will I see your book reviewed in the New York Times?"
Again, maybe never–and that too is okay with me. I write commercial literature–romantic suspense, funny mysteries, contemporary women's fiction–and those books usually don't get a NYT review unless they're deemed such a cultural phenomenon that even the Times can't ignore them.
As for those authors who are waiting for some news outlet to review their books, all I can say is, good luck. Even the best New York publishing house publicist rarely scores a major newspaper review for a mid-list or debut author, let alone a segment on the Today Show. Now, if you're willing to change your first name to Snooki, or your last name to Kardashian, you may actually get that review, or some air time.
It's just the way of the world: a ghosted celebrity can garner more air time for a mediocre book than a gifted author will receive for a notable work.
So suck it up.
Better yet, don't reach for the stars when that is not the lasting definition of success. You're better off working the crowd instead of waiting for the crowd to come to you. In fact, I know many authors whose books have gotten better–and substantially more reviews–than those I see in the Times–
Rude awakening: many major newspapers have done away with book reviews–and book reviewers–altogether. That being said, the voices that are ever more important to authors are avid readers, especially those readers who are willing to write a review on the websites of the bookstores (both online, and brick-and-mortar) where they buy their books. Even better is when they chat up your books to friends.
In today's book market, a four-plus star reviews by hundreds of readers on an online bookseller's site can generate more sales than a few kind words in a Times review on any given Sunday.
Bottom line: word of mouth means everything.
8. "You can write more than one book a year? Hmmm. You're not an artist. You're not even a craftsman. You're…a hack!"
Here's the scoop. Even painters have to produce more than one painting in a lifetime–let alone a year–in order to eat, pay rent, and pay for their kids' braces.
The same goes for musicians. They have to play more than one gig. And songwriters have to write more than one song.
No one wants to be a one-hit wonder.
In fact, even one hit is akin to winning the lottery.
As for being a craftsperson: the proof is in the satisfaction of the buyer.
I'm very proud of my body of work. Every book has received an average of four or more stars. And every day, I get letters from readers who were kind enough to take the time to tell me how much fun they had with my books, or how much they love my characters. I love to hear that it kept them up at night (it certainly did for me when I was writing any one of them!) or that they laughed so loud that it woke their spouses.
That, my dear friends, is satisfaction.
9. "It must be nice to be able to set your own hours."
I write at least ten hours a day.
Believe it or not, some chapters are written in my sleep.
When I'm not writing, I'm plotting. Or researching.
The creative process is the most important aspect of my profession. But the marketing of my books are just as important. That being said, when I'm not writing, plotting or researching, I'm concepting covers, going over edits from my proofers and editors–
And promoting, promoting, promoting.
In any regard, I'm thinking about my books twenty-four/seven.
None of it is easy. But it can certainly be rewarding. I guess that's what makes it a "job," and not a hobby.
10. "It must be great to have such a fun job."
I wouldn't be doing anything else. And I'll do it, as long as I please my readers–and myself.
But like any job, it's not always fun. Sometimes it's frustrating. Sometimes I disappoint myself with how slow I am at it. It takes time to craft a sentence, let alone a paragraph, a scene or a chapter.
Then you have to do it time and again, until you have a cohesive story. Creating a work that even you enjoy, despite having read it so many times, you want to scream.
I remember the reaction my sister had when I told her I'd sold my very first novel. "In fact, the contract is for two books," I proclaimed proudly.
This was met with a look of horror. "You mean, they can make you write another?"
"God, I hope so," I declared.
Eight years and seventeen novels later, I still feel that way.
And, now a bonus comment…
11. "I've got a great idea for a book! Why don't I give it to you, and we can split what you make, 50/50?"
Ha ha! I get this one a lot! I've even gotten it from my sister.
Thank you, but I respectfully decline your offer. You see, I have so many ideas already, that I wonder if I'll have the lifespan in which to write them all.
And besides, at best, a concept is a one-liner (at the most ten words). Even if it's the best book concept in the world, but then you're leaving me with the heavy lifting–that is, coming up with the other eighty thousand words that makes it a book.
You see, a book may start out as a high concept, but it needs a beginning, a middle, and an end. That's a lot of sweat equity–especially if the concept doesn't resonate enough with you to (a) spend the time to research the era or topic, or (b) create characters who go through the motions to bring it to life–and make readers laugh, cry, or write you to tell you how much your words meant to them.
That being said, go ahead and write it, as only you could do.
And let me know when it's published. I look forward to reading it, and supporting you, just like you read and support me.
Or maybe "The Housewife Assassin's Handbook."
I'll go with the latter.
From "Pride and Prejudice, the Musical"
Music and Lyrics by Rita Abrams; Libretto by Josie Brown
#3: IT IS A TRUTH (Complete Song)
(Sung by Bingley, Darcy and Caroline)
Darcy and Bingley banter about the pressures on single men–particularly wealthy single men–to marry. But while Darcy is disgusted by it, Bingley's attitude is more benign–perhaps because he is already in the throes of enchantment with one of the local beauties, Jane Bennet.
THE HOUSEWIFE ASSASSIN'S HANDBOOK
ORDER NOW, from
BN.com (99 cents)
You dropped everyone.
Is it lonely at the top?
You choose what you lose.
Hey, if it happened to F. Scott Fitzgerald, it can happen to you.
One of America's most celebrated authors died penniless, his greatest opus, The Great Gatsby, nearly forgotten…
Except by Hollywood.
Since his death, his book, has been adapted for the screen an extraordinary five times.
It's also been an opera, a ballet, a musical, a straight play, and get this: two video games.
Can you increase the odds that your book will find its way onto the silver screen?
Is a novel an alternative route to get your screenplay into the hands of producers?
The answer to both these questions is a resounding yes. To find out how, join me in Los Angeles on Saturday, June 1, 2013, where I'll giving a workshop with the incomparably divine Laurie Scheer at Pitchfest called, "Adapting your Screenplay as a Book" .
Details are below.
It'll be worth it,
Photo: Leonardo DiCaprio and Carey Mulligan
in Baz Luhrmann's The Great Gatsby
|Adapting Your Screenplay as a Book|
|4:30pm – 6:00pm – Academy Five|
|with Josie Brown & Laurie Scheer|
|So, you’ve pitched your screenplay and a few agents have said, “I could sell that idea if it were a novel.” Know that you’re not alone. So, what should you do? Josie Brown, best-selling novelist and Laurie Scheer, d-girl extraordinaire and publishing mentor, guide you through a workshop presentation that includes in-class exercises, tangible examples, and an extensive Q&A segment to help you determine how your screenplay will look as a book. With the majority of studio projects being produced from existing properties and franchises (books, comics, games, apps, etc.), adapting your screenplay into book form is an option many screenwriters have found success doing—and many others are considering it. Before you begin the process of writing prose vs. script, there are a few elements you need to know.|
Click below to see a trailer from the movie, THE GREAT GATSBY
Despite the title, this book less to do with the season it was set in, and more to do with the fact that readers who love the series don't want to miss any of the consecutive plot points that deal with the series' overriding story arc:
– Will Acme operatives, Donna Stone and Jack Craig, finally take down the world's best financed international terrorist group known as the Quorum?
– Will Donna ever be able to love and trust again, despite the betrayal she felt over Carl's lies and deception?
– And will she and Jadk find the missing intel on its agents and assets before the Quorum gets it?
As these two scenes in particular demonstrate, setting Book 3 during the holiday season allowed me to test Donna's faith: in herself, in her core values, and in her fellow beings.
“So, how old
were you when you had your first kiss?”
question almost has me swerving off the road.
to take his car was probably a smart one because we may need a quick getaway,
and my mommy-mobile doesn’t have the same zero-to-sixty pick-up as Jack’s
Lamborghini. The decision for me to drive also makes sense, since he may have
to be running like hell carrying a shoulder-launched missile, and won’t have
time to fumble for his keys.
to play Twenty-one Questions may be one he regrets, should we crash.
To ensure we
don’t, I hold tight to the steering wheel and keep my eyes straight ahead. Not
because he’s shocked me, but because I’d hate for him to see that my face has
turned candy apple red.
say I was old enough.”
answer the question honestly.”
“Will you do
Cross my heart.”
“Okay. I was fifteen. And yes, the boy broke my heart.”
worried you hadn’t been kissed until college.”
“You take too
much stock in what Aunt Phyllis says. She’s under the impression I was as pure
as driven snow until Carl and I… well, until I was married.”
wasn’t your first either?” He’s trying so hard to act nonchalant.
perfectly honest, not only wasn’t he my first, he wasn’t my even ‘best’.”
smile presumes soooo much. But in a
flash, his smile is gone.
juncture in our relationship, I think I need to tell you… Oh never mind.”
I guess this
is where I hear some soul-searching blather about Valentina. I brace myself for
the worst. “Don’t be such a tease. Just come out and say it.”
“I don’t know
if you want to hear this.”
what? You won’t know if you don’t tell me, so spit it out.”
“I love you.”
I take a deep
“Well, that’s romantic.”
the romance until after we save the world, shall we?”
“I’m glad one
of us has our priorities in order.” He stares out the window. It’s already
dark, so there is not much to look at. “Then I guess this is also a bad time to
ask you to marry me.”
I screech off
onto the shoulder of the road, and turn off the engine. As much as I like
having a thousand horsepower engine at my fingertips, I’d be disappointed if a
knee-jerk reaction came between me and my happily ever after.
“You now have
my complete attention,” I murmur sweetly.
if you’ll marry me.” He picks up my hand. When his fingers wrap around mine, I
wonder why I’d ever let go.
answer hits me—to get to our final destination in one piece.
Jack? And why here?”
“Why not?” He
turns to face me, but his features are hidden in shadows, only revealing
themselves in the fleeting headlights of passing cars. “There will always be
some crisis to overcome. Some more… bullshit,
somewhere in the world.”
Some bad guys
to kill. Some long-buried secret to rear its ugly head.
deserting spouse to confront.
me, “We’re both still married.”
“So let’s go to Vegas and set things straight.”
He makes me
laugh. “I like the Bellagio.” I look down into my lap. “I guess you’re over
Valentina in a big way.”
nod. He just looks straight ahead.
If only he’d
lied and said, “Yes, of course I am! What do you take me for, a fool?”
But no, I’m
the fool. For presuming he’s over her, just because she’s over him.
“When she saw
me, she told me Carl wasn’t in love with her. That he was still in love with
me.” I can’t help myself. I have to say it to him, to see if it makes a
difference to him.
tightens. “Do you believe her?”
Carl? Ha! You said it best. The only one Carl truly loves is himself, and the
power he’s able to grab from who knows where.”
won’t he leave you alone?”
can’t have me. Because I love you instead.”
There. I’ve said it.
I restart the
engine and it roars back to life. “We’ve got a date with a stolen missile.
Let’s do this,” I say as Jack’s Lamborghini leaps back onto the road.
We drive the
remaining few miles in silence.
Is enough for
him to truly love me back? Or now, having been told Valentina never really had
Carl’s affections, will he try to win her back?
I know I’ll
have to wait for his answer—
So we are, I think coming out of my fog.
Saved by the
I pull into
the far side of the parking lot, out of view from the reception area, where the
security guard is parked in front of an old big screen TV that must have been
confiscated from an abandoned storage unit.
leg,” I say as he climbs out of the car.
He shuts the
car door before he hears me whisper, “And yes, I’ll marry you.”
for the best. Let’s face it. My answer doesn’t count if he’s already changed
In life, just
about everything is timing.
If I hadn’t
been at a certain shooting range on a certain Spring break during college, I
would have never met Carl.
If I hadn’t
been in the bedroom to answer his cell while he was in the shower one day, I
would not have set into motion the chain of events that would have made him realize
he needed to disappear from the life we’d created together.
hadn’t been looking for a few honeypots right about the time they yanked Carl’s
pension from me, I would’ve taken a job as an assistant at a bank, or made time
to be a class mom, instead of collecting a rogue’s gallery of scalps on my
And if Jack
hadn’t brought Carl home with him after one mission went awry, Valentina would
never have fallen in love with Carl, and left Jack for him.
None of this
I regret. Because if none of it had happened, I would have never have met Jack.
What I do
regret, however, as Safe & Sound’s Storage Unit Number 121 blows off the
back wing of the building, is that Jack never heard me say “Yes” when he asked
me to marry him.
I run past
the security guard, who stumbles out of the building in a total state of shock
and denial. Deadly blasts are way above his pay scale of fourteen dollars an
“Where is the
man who just went in there?” I shout at him “Did he make it out?”
He shakes his
head and cups his ear, to indicate he hasn’t heard a word I’ve said.
I pull him
far away from the debris field, which is scattered far and wide. Coats and
dresses and pants float through the air like cloth clouds, while bed frames
pinwheel through the parking lot. Family photos float down from the night sky
in a storm of confetti.
onto too much crap.
is important in your life, you’ll make room for it.
ambulances in the distance, heading this way. I don’t have much time if I’m
going to find Jack. What if he’s injured and can’t get out by himself?
I run into
the building and down the main hall, but I can’t see which way to turn because
the smoke pouring out is too thick, and worse, smells like melted plastic. I
can’t breathe. My lungs are on fire.
I’m crazy to
think Jack has survived the explosion.
As I pass
out, the only thing I can think of is how I wish I’d been with Jack at the very
(c) 2012 Josie Brown. All rights reserved. This excerpt may not be resold or redistributed without prior written permission from Josie Brown or Signal Press Books (email@example.com).
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