Thanks, Julie Valerie, for loving Extracurricular.

ExtraJulieInsta

It’s always great to get a review for a new release from an author you greatly respect. Thank you, Julie Valerie from the bottom of my 💖,

—Josie

Extracurricular-Kindle

Extracurricular / Book 1

Signal Press
BOOK 1 of an Episodic Series of 3 Books
Digital ISBN:978-1-970093-00-1
Trade Paperback ISBN: 978-1-970093-02-5

amazon-2-icon AppleBooks unnamed kobo-blue

It's your child's senior year. 
A private high school's reputation is at stake.
A math teacher refuses to grade his final exams on a curve. 
Students have only one more shot at the SAT before college applications are due. 
And a few desperate parents with much more money than brains are willing to do anything to get their children into Ivy League colleges.

And Audrey's dirty little secret will soon be the downfall of everyone and everything she holds dear: love, family, friends, and her private high school alma mater.

In EXTRACURRICULAR, a dark family secret leads to a college admissions cheating scandal at a private school, setting off a crisis of conscience for the parents, teachers, administrator and the students involved—and a catharsis for one couple about their marriage.

Extracurricular: You can buy it today.

ExtraLaunch2Tw

I used to hate pink book covers.

I felt they sent the wrong message: “This is a book for women only.”

Okay, yeah. Extracurricular is for women. 

Mothers who have sweated—or are sweating—their kids' path to college, or what they hope is a better life for their children.

And for girls—that is, young adult women—who have dreamed, or now dream about, college. Or those young women who are in college, and worked hard to get there—

But know others who may have gamed the system.

This book is for men too. Because men are also worried about how their children will be educated. They stay up late at nights worried that they won't be able to afford the college tuition for their children.

(And they will read it despite the pink hue of its cover.)

They too dream that their children will have a fair chance to earn a slot at the school of their choice.

But then there are parents who will commit fraud—take a “side door,” as it's called—but justify it because it's for their children.

In the three episodic novels that make up Extracurricular, you'll meet all sorts of parents and their kids. One—the protagonist, Audrey Thorpe—will have a shameful secret. Another, Egan Gable, will be the catalyst for the decisions she makes for herself and her loved ones. 

And all the characters you meet will have personal agendas—driven by pride, arrogance, or greed.

A few you'll cheer for, despite the battles they face. Others, you will hate because how they view their lives, and others whose lives they affect on a daily basis.

Nothing is black and white. Just like real life, there are a lot of variables that affect my characters' decisions, both right and wrong.

In other words, what you've come to expect from a Josie Brown book.

So, yes, a pink cover is right for the very first novel in the series, when, after meeting the FBI team that is leading the investigation, we leap back twenty-two years in the past, when the real story begins: a time of  youthful, exuberant innocence.

Where it ends up? Well, that’s the problem. You see, every deed, good or bad, has a catalyst that began in some ripple of time.

The second novel in the series sports a blue cover. It brings us back to the future, with darker times and more at stake. The last cover is a pale yellow, representing knowledge, or wisdom; the light after the storm.

Be duly warned: there will be many trials and tribulations before our characters get there.

If you've been reading my other blog posts about Extracurricular, you already know that this story has been percolating with me for quite some time now: eight years, in fact.

If you're wondering why, it too me so long to write, it's simply that I got sidelined with other fun characters and their stories. My housewife assassin, Donna Stone, for one, who gets even more complex with every book in her satiric series. And of course, my four lovely Totlandia ladies, (and one who was more difficult to love (ahem: BETTINA). And Ben Brinker and Maggie Vandergalen in The Candidate. 

Before Audrey and Egan, there were Hannah Fairchild and Louis Trollope in Hollywood Hunk; Nina Hart and Sam Godwin in Hollywood Whore; and Lyssa and Harry of Secret Lives of Husbands and Wives; and Katie Johnson and her husband, Alex, in The Baby Planner.

To an author, each story is a puzzle. Each character—every plot point—is just one piece that must fit perfectly with the others to make the story whole.

And now, finally, it's Audrey and Egan's turn. Their story is part comedy, some tragedy, and hopefully a journey that you'll enjoy all along the way. Since I initially concepted it, the world has gotten even more complex. Ironically, the issues they face in the novels—first as young adults, then with children of their own—reflect what we see happening now, as it pertains with college admissions and the lengths those with more money than brains will go to make sure their children get into “the right schools.”

And yes, the foibles of the parents caught up in the current scandals will be reflected in Extracurricular.

Sometimes, you can't make this stuff up. At least, together, we can laugh at it.

Thanks for taking a chance on my story.

—Josie

Extracurricular-KindleExtracurricular / Book 1

Signal Press (Release Date: June 28, 2019)
BOOK 1 of an Episodic Series of 3 Books
Digital ISBN:978-1-970093-00-1
Trade Paperback ISBN: 978-1-970093-02-5

amazon-2-icon AppleBooks unnamed kobo-blue

It's your child's senior year. 
A private high school's reputation is at stake.
A math teacher refuses to grade his final exams on a curve. 
Students have only one more shot at the SAT before college applications are due. 
And a few desperate parents with much more money than brains are willing to do anything to get their children into Ivy League colleges.

And Audrey's dirty little secret will soon be the downfall of everyone and everything she holds dear: love, family, friends, and her private high school alma mater.

In EXTRACURRICULAR, a dark family secret leads to a college admissions cheating scandal at a private school, setting off a crisis of conscience for the parents, teachers, administrator and the students involved—and a catharsis for one couple about their marriage.

 

 

 

 

Extracurricular: An earth-shattering incident

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If you thought it was your last moment on earth, would you tell the one person you'd never admit to loving how you felt?

I put my protagonists in an old elevator during an earthquake. They are quite literally tossed into each other's arms. Their initial instincts to protect each other. The next desire is to comfort the one for which love has never been professed.

Fear finally subsides, as does the desire for the declaration of love.

But there are some primal urges that makes words unnecessary. It's what this scene is about.

When I wrote this scene eight years ago, I thought it would take place at the end of the book. Years later, I realized that it was only the beginning of their story.

All the missed opportunities lead to other secrets, leavened with lies that lead to many live-changing mistakes for them and those they love most.

I hope you'll want to go along for the ride.

—Josie

Read the first-chapter excerpt here, then enter my contest for books, a gift card, and a great treasure for your kitchen: a wonderful stoneware pie plate.

Enjoy!

—Josie

Extracurricular-KindleExtracurricular / Book 1

Signal Press (Release Date: June 28, 2019)
BOOK 1 of an Episodic Series of 3 Books
Digital ISBN:978-1-970093-00-1
Trade Paperback ISBN: 978-1-970093-02-5

amazon-2-icon AppleBooks unnamed kobo-blue

It's your child's senior year. 
A private high school's reputation is at stake.
A math teacher refuses to grade his final exams on a curve. 
Students have only one more shot at the SAT before college applications are due. 
And a few desperate parents with much more money than brains are willing to do anything to get their children into Ivy League colleges.

And Audrey's dirty little secret will soon be the downfall of everyone and everything she holds dear: love, family, friends, and her private high school alma mater.

In EXTRACURRICULAR, a dark family secret leads to a college admissions cheating scandal at a private school, setting off a crisis of conscience for the parents, teachers, administrator and the students involved—and a catharsis for one couple about their marriage.

Extracurricular: School Daze

ExtraHandbookInsta.png

A school is only as good as its reputation. 

The variables that take that broad assumption and flip it on its head are the very people who burnish the school's prominence: its teachers, students, administrators, and the families who support it. 

While writing Extracurricular, I took all of this into account. Within the three books in the series, you'll see egos drive actions that produce pain. Sometimes, the motive is pride. Sometimes, it's fear. Sometimes it's cold hard cash that makes a character do something that s/he knows is ethically, morally, and legally wrong.

In this case, a ripple effect of one person's actions can ruin a private school's reputation, perhaps even take it under. This is very true of  youthful indiscretions of my protagonists, Audrey and Egan. Driven by a mutual attraction, their singular misunderstandings will eventually threaten something both love: Ashbury Academy, the school where they first met.

To some extent, anyone and everyone who cares about how the best and the brightest get into their universities of choice should be concerned about the college admissions scandal. What are your thoughts?

As far as Extracurricular goes, I hope you read the excerpt here, then enter my contest for books, a gift card, and a great treasure for your kitchen: a wonderful stoneware pie plate.

Enjoy!

—Josie

Extracurricular-KindleExtracurricular / Book 1

Signal Press (Release Date: June 28, 2019)
BOOK 1 of an Episodic Series of 3 Books
Digital ISBN:978-1-970093-00-1
Trade Paperback ISBN: 978-1-970093-02-5

amazon-2-icon AppleBooks unnamed kobo-blue

It's your child's senior year. 
A private high school's reputation is at stake.
A math teacher refuses to grade his final exams on a curve. 
Students have only one more shot at the SAT before college applications are due. 
And a few desperate parents with much more money than brains are willing to do anything to get their children into Ivy League colleges.

And Audrey's dirty little secret will soon be the downfall of everyone and everything she holds dear: love, family, friends, and her private high school alma mater.

In EXTRACURRICULAR, a dark family secret leads to a college admissions cheating scandal at a private school, setting off a crisis of conscience for the parents, teachers, administrator and the students involved—and a catharsis for one couple about their marriage.

 

I write daily. I must. Creators—painters, photographers, musicians, and writers too—are like athletes: to keep in the game, you must stay fit. In order to strengthen our plots and dig deep into our characters, authors have to stretch their minds.

We can't do this by sitting in front of a computer for five to eight hours (or more) a day.

For me, even a hour or two's worth of scenery allows me to rethink work in progress. And because I have the great blessing of being married to a writer, we do our best to take our breaks together.

When we do, we walk.

Martin and Josie Cascade Falls MV

We are very fortunate in that we live in a beautiful place: San Francisco, California. If you're not opposed to taking in a few hills when you come upon one (a great cardio workout) it truly is a very walkable town. They say San Francisco is seven miles long by seven miles wide. On a normal day, we'll walk four to five of those. On a day in which we really want to get out of our heads, we'll walk as many as ten miles.

During that time, we talk: sometimes about our three wonderful kids, but mostly about our plots.

If you're a writer and you have a critique partner, you know the drill: you've chosen someone who knows and appreciates your work, understands your characters, and with whom you feel comfortable enough to explain the plot hole you may have fallen into.

Maybe they'll come up with an insight that you somehow missed. Maybe not. But just hearing you explain the concern out loud, you'll work through it. You'll have some sort of “Eureka” moment. 

Even if you don't, you'll be in sunlight. You'll hear others' conversations as you pass them. Something in the sky will catch your eye. Or maybe it'll be something on the bay. Or a front door of a house you've never seen before. Or wisteria is in bloom, and you it stops you in your tracks.

By the way, if you write but have not yet found a critique partner—and for that matter, if you are just dipping a toe in the process—check out the writers' collective known as the 85K Writing Challenge. There, you'll be inspired and challenge to come up with a daily word count that may result in the book you know lives within you. It is the brainchild of Author Julie Valerie, whose debut novel, Holly Banks, Full of Angst, will be out Fall 2019.

If we have the time, sometime we cross the Golden Gate Bridge and take in one of the many hikes in the trails in and around the tiny gem-like towns of Marin County. One of our favorites is in Mill Valley, California. Many of the houses are built on the lanes that zig and zag through the foothills leading up to Mount Tamalpais—or, as the Miwoks (first people of the area) called it, “the sleeping lady.”  This time of year, especially after a rainy season, a few of the falls that in the area are at full strength. The most accessible, and perhaps the most beautiful waterfall in this town is called Cascade.

I want to share it with you.

If you click onto this video you'll enjoy a tiny moment of zen.

—Josie

9780989558822 Smaller CoverSpring has sprung—with a Great price on my two-book set.

The Housewife Assassin's Killer 2-Book Set / Only $3.99!

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An avenging assassin. The spy who loves her. In this two-book set, find out why readers are addicted to this deadly duo.

Lee Child – PAST TENSE

AP Lee Child FB

The iconic loner anti-hero, Jack Reacher, has made thriller writer Lee Child an internationally renowned author.

Child’s debut novel, Killing Floor—the first of 23 Reach books—won both the Anthony and the Barry awards for Best First Mystery.

The 9th novel, THE ENEMY, won both the Barry and the Nero awards for Best Novel and became a film starring Tom Cruise.

I interviewed Lee about the latest book in the series, PAST TENSE, in which a turn in the road takes Jack to his long-deceased father’s hometown, where the ghosts of his past aren’t necessarily dead and buried.

To read my print interview with Lee, click here to go to TheBigThrill.org

Welcome to Author Provocateur Podcasts

AudioListener on Left

Thanks for stopping by. I hope you enjoy my author interviews, novel samples, and creative writing tips. 

To celebrate the Barbara Vey Reader Appreciation Weekend 2018which takes place on the weekend for Friday through Sunday, April 27—29, 2018—I interviewed some of the 50+ authors who will be attending.

THESE INTERVIEWS WILL LAUNCH SOON.

Each author has such wonderful insights on what inspires them to write—and you'll certainly enjoy what they say about their latest novels and their writing process.

Josie Brown

 

 

 

Why Authors Choose to Self-Publish

AR-305239320

Most authors walk a financial tightrope. 

Hey, don't take my word for it. In a September 2015 an article on a recent Authors Guild survey of its members' incomes,  Publishers Weekly put it this way:

 

Authors Guild Survey quote

Yikes.

Thank goodness for self-publishing. It saved my career, and those of many other authors I know.

Even with four novels (one optioned for television) and two-nonfiction books published traditionally, as early as 2010 I'd dipped my toe into the choppy waves of self-publishing. My subsequent success with it is why I now self-publish exclusively.

Whereas self-publishing has grown by leaps and bounds in the past ten years, ours wasn't the first generation to discover its financial rewards. Jane Austen, Emily Dickinson, Marcel Proust, and Walt Whitman self-published their books. Misery loves great company indeed.

But before self-publishing became a financially viable option for the current generation of writers, traditional publishing—that is to say, print books, primarily by one of the Big Five New York publishing houses—was the only venue for the sale and distribution of books. Even ten years ago, the thing authors love to do most—write novels—was not possible without running an unwieldy gauntlet that put their manuscripts in front of any literary agency that might deem the book sellable to a publisher, and any publishing house editor who might actually like it enough to purchase it. 

Besides editing, printing, and distributing a book, part of the publisher's job is also to promote it. For doing so  the publisher holds on to anywhere from 80-92 percent of the book's retail price.

(Yep, some authors get only an 8 percent royalty. Worse yet, royalties are paid twice yearly, and they are only paid if their books "earn out"—that is, return any advance paid, which may not happen for years if at all, what with the other variables tied to this equation, including book returns, of which there are no cut-offs; and perhaps the payback of advances of other books as well.)

Sadly, in traditional publishing, marketing is the last consideration—never the first—when purchasing a book from an author. Compared to other products as a whole—and entertainment products in particular, including films, music, magazines, and video games—it gets a negligible budget, if any at all.

Steve Hamilton Publishers WeeklyDon't take my word for it.  In this article regarding the breakup between bestselling thriller writer Steve Hamilton and his former publishing house, St. Martin's Press, Publishers Weekly outs its industry's dirty little secret: there is no there, there:

 A book can be beautifully written, have scintillating dialogue and a page-turning plot. But without the adequate marketing and promotion that puts it in front of a targeted audience, a book is as dead as a beached whale. 

At this point in time, most Authors Guild members are traditionally published. Coupled with the Hamilton/SMP breakup, the Authors Guild survey certainly makes an excellent case for the guild to reconsider what it must do to protect its members. For example, the guild—along with literary agents and intellectual property attorneys—should insist that any publishing contract contain clauses that:

(a) Succinctly spell out a yearly quantitative financial base for the book, with instant reversion to the author if not met. Right now, most publishing contracts hold onto rights forever, under the assumption that digital distribution means that a book never goes out of print.

(b) Outline an advertising budget, tied to an actual, very specific media plan for the marketing of the book—at least for the first full year in print—and allow for immediate reversion of rights if there is no follow-through.

Is it any wonder that hybrid authors—that is to say, those authors who have been published traditionally, but then, like me, elected to publish their books independently of a publishing house—are a growing breed? Of course not. Like everyone else, authors have to eat. They have to pay rents and mortgages. They raise children, and pay for health insurance, taxes, and all the other expenses that come with being self-employed.

I personally know many hybrid authors. Under the traditional publishing model, their advances and sales shrunk along with the demise of both chain bookstores, and the winnowing of independent brick-and-mortar bookstores in the most recent recession. Several of these authors were at the brink of financial disaster (homes soon to be repossessed, couch-surfing, near bankruptcy) when they made the decision to walk away from traditional publishing contracts. After doing so, they rolled up their shirtsleeves and did what they had to do to self-publish: write good books; have their books professionally edited and digitally converted; distribute their books—primarily as eBooks.

The successful one know they must also promote their books.

The good news for their readers: the books are priced lower than their offerings still distributed by their traditional publishers. 

The great news for these authors: now that they retain 70 percent of the book's retail price, they are making a sustainable living for themselves and their families.

Some are doing better than that, having already sold millions of books since starting this journey. Sylvia DayBarbara Freethy, Stephanie Bond,  Bella Andre, and Kate Perry are perfect examples of hybrid authors who took advantage of the changing bookselling marketplace to not just survive, but to thrive. And whereas Ms. Day, Ms. Andre and Ms. Bond still have one foot in traditional publishing, Ms. Freethy and Ms. Perry are in total control of every facet of their books' design, distribution and promotion. 

Another hybrid author who made the leap to indie publishing and never looked back was thriller novelist Barry Eisler. Recently, I had the opportunity to interview him for the International Thriller Writers Organization's e-zine, "The Big Thrill." Some of what Barry says regarding the advantages of self-publishing versus traditional publishing can be found in the article linked here.

However, some of our Q&A was cut. Since the questions are relevant to this post's topic, I've included them here:

JB: If there were one (or two, or three) things you could change about the publishing industry and the novelist’s role within it, what would it be?

BE: The first thing I’d like to change is the popular perception that organizations like the Authors Guild and Authors United primarily represent authors rather than establishment publishers. I have no problem with organizations advocating for publisher interests, but the dishonest way in which the AG and AU go about their publishing industry advocacy misleads a lot of authors. I could go on at length about this topic and in fact I have—so for anyone who wants to better understand the real agenda and function of these “author” organizations, I’d recommend starting with this article I wrote for Techdirt, Authors Guilded, United, and Representing…Not Authors.

JB: But isn’t it true that the AG speaks out on various topics of concern to authors, like unconscionable contract terms?

BE: Hah, the AG going after publishers is like Hillary Clinton going after Wall Street. I’ve had a lot to say about this, including thecomments I wrote in response to this post at The Passive Voice.For anyone who’s curious, just search for my name and you’ll find the comments, the gist of which is, when the AG wants to accomplish something, it names names and litigates; when it wants authors to think it’s trying to accomplish something but in fact isn’t (or, more accurately, when what it’s trying to accomplish is maintenance of the publishing status quo), it talks.

When the AG talks, it’s a head fake. The body language is what to look for in determining the organization’s actual allegiances and priorities.

Another thing I’d like to change is the generally abysmal level of legacy publisher performance in what at least in theory are legacy publisher core competencies. Whether it’s cover design, the bio, or fundamental principles of marketing, legacy publishers are content with a level of mediocrity that would be an embarrassment in any other industry. I’ve seen little ability within legacy publishing companies to distill principles from fact patterns (particularly patterns involving failures) and then apply those principles in new circumstances. Institutional memory and the transmission of institutional knowledge and experience are notably weak in the culture of the Big Five. My guess is that the weakness is a byproduct of insularity and complacency brought on by a lack of competition.

JB: Agreed. Having spent fifteen years in advertising before becoming a novelist, I was abhorred as to what passed for “marketing and promotion.

BE: I'd also like to increase awareness of the danger a publishing monopoly represents to the interests of authors and readers. No, I’m not talking about Amazon; “Amazon is a Monopoly!” is a canard and a bogeyman. I’m talking about the real, longstanding monopoly in publishing (or call is a quasi-monopoly, or a cartel), which is the insular, incestuous New York Big Five. An important clue about the nature of the organization is right there in the name, no? See also the Seven Sisters

Okay, another thing (and then I’ll stop because I could go on about this stuff forever): I’d like to see more choices for authors; new means by which authors can reach a mass market of readers; and greater diversity in titles and lower prices for readers.

Wait, that last set of wishes is already happening, courtesy of self-publishing and Amazon publishing—the first real competition the Big Five has ever seen, and a boon to the health of the whole publishing ecosystem.

Hybrid author success stories are now numerous. As author advocate Jane Friedman's wonderful blog points out,  Claire Cook, Harry Bingham, and William Kowalski are just a few other examples of hybrid authors who made the leap and never looked back.

Products are created from a perceived need. Industries are created by providing sales and distribution venues for products.

But sometimes how the product is distributed changes also how the product is purchased by its consumers. 

Books—in whatever form they take—will always be needed. They entertain, they provoke thought, they provide knowledge.

In publishing, books are the products. Still, how books are distributed and sold doesn't change how they are made: by authors with the perseverance to write a good story, and then do what they can to find readers who will fall in love with it. 

 

Like Mr. Kowalski, Ms. Cook, and Mr. Bingham, I love what I do. Now that 2015 has come to an end, I now know that all my hard work toward creation and release of the my latest four books and a novella (The Housewife Assassin's Garden of Deadly Delights, The Housewife Assassin's Tips for Weddings, Weapons, and Warfare, The Housewife Assassin's Husband Hunting Hints, Totlandia Book 5, and Gone with the Body) was worth it.

It is confirmed by my bookstore royalties. More importantly, it is substantiated by the many kind comments received from my supportive readers. 

Thank you, readers, for taking a chance on me, loving my characters, and chatting up my books with others who they felt might enjoy them, too. 

Here's to a wonderful new year filled with more great stories from your favorite authors.

—Josie

 

Martin and I found this antique musical Santa snow globe at an old curiosity shoppe.

Christmas Snow Globe 2015

At the time it was a splurge for us—thirty dollars—but how could we resist? Turns out the shop owner had just polished its brass base that very morning before putting it in the shop window. "I knew it would go quickly," he said, chuckling. The shop is gone now. Still, I'm sure he'd be happy to know it's given us many years of joy. Every time I hear its version of "Santa Claus Is Coming to Town," I have to smile.

—Josie

My guess is that she’s reading Pride and Prejudice…

Keira-knightly-as-elizabeth-bennett

 

Or maybe "The Housewife Assassin's Handbook."

I'll go with the latter.

–Josie

From "Pride and Prejudice, the Musical"

Music and Lyrics by Rita Abrams; Libretto by Josie Brown

The song: 

Bingley_2#3: IT IS A TRUTH (Complete Song)
(Sung by Bingley, Darcy and Caroline)

 Darcy and Bingley banter about the pressures on single men–particularly wealthy single men–to marry.  But while Darcy is disgusted by it, Bingley's attitude is more benign–perhaps because he is already in the throes of enchantment with one of the local beauties, Jane Bennet.

 

_________________________________

 

 


HA1 Handbook 768x1024

THE HOUSEWIFE ASSASSIN'S HANDBOOK
978-0-9740214-0-9

FREE! 
ORDER NOW,  from

Amazon.com (US)  / Amazon.UK 
Also in all Amazon countries!

BN.com (99 cents)

Apple iTunes Bookstore  / Apple iTunes Bookstore (UK) 
In all iTunes countries!

KoboBooks

 

 

John Singer Sargent painting: “Zuleika”. The farce — and artifice — of beauty.

Sargent_John_Singer_Zuleika

Gorgeous, wouldn't you say? It was painted by the 19th Century famous portraitist,  John Singer Sargent. His abstracts were always of friends– usually other artists, such as himself. I wonder if that was because he felt his clients demanded something more meticulous, whereas perhaps these were painted on the fly? His version of toting a camera was to relax with easel, canvas and paints, be it oils or watercolors.

This one is entitled "Zuleika," was completed in 1907, and hangs in the Brooklyn Museum. The name is a genus of moth. It is also Persian in origin, meaning "fair, brilliant, lovely." 

She certainly looks that way, here.

Who was she? The wife of a friend, perhaps? There are a series of poems based on a character by that name. Turns out Sargent was friends with humorist Max Beerbohm, who was working on a contemporary novel by that title, about a woman by that name whose beauty was so great that her merely stepping off a train to visit her grandfather in Oxford caused men to obsess over her — to the point of committing mass suicide.

This Sargent painting and Beerbohm's novel might have been the very first product cross-promotion — multi-platforming in its earliest form. 

More than likely, it was Sargent's way of jibing Beerbohm — payback for the latter's caricutures of the revered painter.

Notice the subject's eyebrows are  just one wave of black paint. Sargent's downward point-of-view is filled with realistic shadowing. The grass is a riot of green, blue and yellow hues which play tricks on the mind: we envision individual blades of grass, and dappled sunlight.

I love that he caught her reading. Is  Proust? Dickens? Baudliere? Possibly The Works of Max Beerbohm.

 Art is fun, and can be funny, too,

— Josie

 


HA-Vacation-to-Die-For-Final

My latest novel is

The Housewife Assassin's
Vacation to Die For

Now out, in

Amazon.com

Amazon.co.uk

 Amazon.ca

Pick up the first book in The Housewife Assassin series, for free!

 

Join me at Pitchfest!

Leo and Carey Great Gatsby

Hey, if it happened to F. Scott Fitzgerald, it can happen to you.

One of America's most celebrated authors died penniless, his greatest opus, The Great Gatsby, nearly forgotten…

Except by Hollywood.

Since his death, his book,  has been adapted for the screen an extraordinary five times.

It's also been an opera, a ballet, a musical, a straight play, and get this: two video games.

 Can you increase the odds that your book will find its way onto the silver screen?

Is a novel an alternative route to get your screenplay into the hands of producers?

The answer to both these questions is a resounding yes. To find out how, join me in Los Angeles on Saturday, June 1, 2013, where I'll giving a workshop with the incomparably divine Laurie Scheer at Pitchfest called, "Adapting your Screenplay as a Book" .

Details are below.

It'll be worth it,

— Josie

 

Photo: Leonardo DiCaprio and Carey Mulligan
in Baz Luhrmann's The Great Gatsby 

Adapting Your Screenplay as a Book
4:30pm – 6:00pm – Academy Five
with Josie Brown & Laurie Scheer
So, you’ve pitched your screenplay and a few agents have said, “I could sell that idea if it were a novel.” Know that you’re not alone. So, what should you do? Josie Brown, best-selling novelist and Laurie Scheer, d-girl extraordinaire and publishing mentor, guide you through a workshop presentation that includes in-class exercises, tangible examples, and an extensive Q&A segment to help you determine how your screenplay will look as a book. With the majority of studio projects being produced from existing properties and franchises (books, comics, games, apps, etc.), adapting your screenplay into book form is an option many screenwriters have found success doing—and many others are considering it. Before you begin the process of writing prose vs. script, there are a few elements you need to know.

 
Click here to register for Pitchfest 

Click below to see a trailer from the movie, THE GREAT GATSBY


Thursday Couple’s Kiss: “Catch and Release”

EmbarrassMeKiss
If she had been expecting his kiss, it would have landed on her lips, as opposed to her eye. 

Or maybe not.

If she'd been expecting it, she might have pushed him away.

Or run in the opposite direction.

Or come up with a million excuses as to why she ducked and dodged him.

"I haven't brushed my teeth," she might have said. Or, "Stop! Someone might be watching!" Or "Not now… not here… not me."

But he took away her option to say no.

Instead, he gave her the option to fall in love.

Then he let her go.

He learned this while fishing. "Catch and release," it's called.

But women aren't fish. They love the chase. They imagine the possibilities. 

They anticipate his next kiss.

— Josie



HAH-Hanging-Man-Oct-5-2012Free!

The Housewife Assassin's Handbook!

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Read an excerpt…

 

– EVERY DESPERATE HOUSEWIFE WANTS AN ALIAS: Donna Stone has one…and it happens to be government-sanctioned.
– BUT DONNA EARNED IT THE HARD WAY: Her husband was killed the day she delivered their third child.
– TO AVENGE HER HUSBAND'S MURDER: Donna leads a secret life: as an assassin.
– BUT ESPIONAGE MAKES FOR STRANGE BEDFELLOWS: And brings new meaning to that old adage, "Honey, I'm home…"

Hump Day Haiku: “Underwater”

Underwater

 

"It won't last," they said.

"We'll prove them wrong," he promised.

Hold your breath. Dive in.

–Josie

 

 


HAH-Hanging-Man-Oct-5-2012

Free right now!
The Housewife Assassin's Handbook

FREE!  AmazonKindleButton

FREE!  Logo_kobo

 99 cents! Nook-button

FREE! Apple iTunes Bookstore

Read an excerpt…

– EVERY DESPERATE HOUSEWIFE WANTS AN ALIAS: Donna Stone has one…and it happens to be government-sanctioned.

– BUT DONNA EARNED IT THE HARD WAY: Her husband was killed the day she delivered their third child.

– TO AVENGE HER HUSBAND'S MURDER: Donna leads a secret life: as an assassin.

– BUT ESPIONAGE MAKES FOR STRANGE BEDFELLOWS: And brings new meaning to that old adage, "Honey, I'm home…"


Hump Day Haiku: “Verbal Smackdown”

Crying

 

His words hit, like stones.

I pummel him with my tears.

 Yes, it's true. Love hurts

– Josie

 

 


HA-RSG-Final-V2
To celebrate the launch of 
The Housewife Assassin's Relationship Survival Guide
I'm giving away a $100 gift card
 to the bookstore of your choice!

Click here for details…

 

 

 


Excerpt from Book 3 of the HOUSEWIFE ASSASSIN Series: First Kiss

Pacific_coast_highway
As we head into summer, I'm both surprised and proud of the fact that the third book in the Housewife Assassin series, Killer Christmas Tips, is still selling strong.

Despite the title, this book less to do with the season it was set in, and more to do with the fact that readers who love the series don't want to miss any of the consecutive plot points that deal with the series' overriding story arc: 

– Will Acme operatives, Donna Stone and Jack Craig, finally take down the world's best financed international terrorist group known as the Quorum? 

– Will Donna ever be able to love and trust again, despite the betrayal she felt over Carl's lies and deception?

– And will she and Jadk  find the missing intel on its agents and assets before the Quorum gets it?

As these two scenes in particular demonstrate, setting Book 3 during the holiday season allowed me to test Donna's faith: in herself, in her core values, and in her fellow beings.

Enjoy,

— Josie

EXCERPT

“So, how old
were you when you had your first kiss?”

Jack’s
question almost has me swerving off the road.

The decision
to take his car was probably a smart one because we may need a quick getaway,
and my mommy-mobile doesn’t have the same zero-to-sixty pick-up as Jack’s
Lamborghini. The decision for me to drive also makes sense, since he may have
to be running like hell carrying a shoulder-launched missile, and won’t have
time to fumble for his keys.

His decision
to play Twenty-one Questions may be one he regrets, should we crash.

To ensure we
don’t, I hold tight to the steering wheel and keep my eyes straight ahead. Not
because he’s shocked me, but because I’d hate for him to see that my face has
turned candy apple red.

“Let’s just
say I was old enough.”

“Come on,
answer the question honestly.”

“Will you do
the same?”

“Absolutely.
Cross my heart.”

I sigh.
“Okay. I was fifteen. And yes, the boy broke my heart.”

He laughs.

“What’s so
funny?”

“I was
worried you hadn’t been kissed until college.”

“You take too
much stock in what Aunt Phyllis says. She’s under the impression I was as pure
as driven snow until Carl and I… well, until I was married.”

“So Carl
wasn’t your first either?” He’s trying so hard to act nonchalant.

“To be
perfectly honest, not only wasn’t he my first, he wasn’t my even ‘best’.”

Jack’s sly
smile presumes soooo much. But in a
flash, his smile is gone.

“At this
juncture in our relationship, I think I need to tell you… Oh never mind.”

I guess this
is where I hear some soul-searching blather about Valentina. I brace myself for
the worst. “Don’t be such a tease. Just come out and say it.”

“I don’t know
if you want to hear this.”

“Well, guess
what? You won’t know if you don’t tell me, so spit it out.”

“I love you.”

I take a deep
breath. “Ditto.”

He laughs.
“Well, that’s romantic.”

“Let’s save
the romance until after we save the world, shall we?”

“I’m glad one
of us has our priorities in order.” He stares out the window. It’s already
dark, so there is not much to look at. “Then I guess this is also a bad time to
ask you to marry me.”

I screech off
onto the shoulder of the road, and turn off the engine. As much as I like
having a thousand horsepower engine at my fingertips, I’d be disappointed if a
knee-jerk reaction came between me and my happily ever after.

“You now have
my complete attention,” I murmur sweetly.

“I’m asking
if you’ll marry me.” He picks up my hand. When his fingers wrap around mine, I
wonder why I’d ever let go.

Then the
answer hits me—to get to our final destination in one piece.

“Why now,
Jack? And why here?”

“Why not?” He
turns to face me, but his features are hidden in shadows, only revealing
themselves in the fleeting headlights of passing cars. “There will always be
some crisis to overcome. Some more… bullshit,
somewhere in the world.”

Some bad guys
to kill. Some long-buried secret to rear its ugly head.

Some
deserting spouse to confront.

Which reminds
me, “We’re both still married.”

He shrugs.
“So let’s go to Vegas and set things straight.”

He makes me
laugh. “I like the Bellagio.” I look down into my lap. “I guess you’re over
Valentina in a big way.”

He doesn’t
nod. He just looks straight ahead.

His silence
speaks volumes.

If only he’d
lied and said, “Yes, of course I am! What do you take me for, a fool?”

But no, I’m
the fool. For presuming he’s over her, just because she’s over him.

“When she saw
me, she told me Carl wasn’t in love with her. That he was still in love with
me.” I can’t help myself. I have to say it to him, to see if it makes a
difference to him.

His mouth
tightens. “Do you believe her?”

“What, about
Carl? Ha! You said it best. The only one Carl truly loves is himself, and the
power he’s able to grab from who knows where.”

“Then, why
won’t he leave you alone?”

“Because he
can’t have me. Because I love you instead.”

There. I’ve said it.

I restart the
engine and it roars back to life. “We’ve got a date with a stolen missile.
Let’s do this,” I say as Jack’s Lamborghini leaps back onto the road.

We drive the
remaining few miles in silence.

Is enough for
him to truly love me back? Or now, having been told Valentina never really had
Carl’s affections, will he try to win her back?

I know I’ll
have to wait for his answer—

“We’re here,”
he murmurs.

So we are, I think coming out of my fog.

Saved by the
bomb.

I pull into
the far side of the parking lot, out of view from the reception area, where the
security guard is parked in front of an old big screen TV that must have been
confiscated from an abandoned storage unit.

“Break a
leg,” I say as he climbs out of the car.

He shuts the
car door before he hears me whisper, “And yes, I’ll marry you.”

Maybe it’s
for the best. Let’s face it. My answer doesn’t count if he’s already changed
his mind.

 ****

In life, just
about everything is timing.

If I hadn’t
been at a certain shooting range on a certain Spring break during college, I
would have never met Carl.

If I hadn’t
been in the bedroom to answer his cell while he was in the shower one day, I
would not have set into motion the chain of events that would have made him realize
he needed to disappear from the life we’d created together.

If Acme
hadn’t been looking for a few honeypots right about the time they yanked Carl’s
pension from me, I would’ve taken a job as an assistant at a bank, or made time
to be a class mom, instead of collecting a rogue’s gallery of scalps on my
belt.

And if Jack
hadn’t brought Carl home with him after one mission went awry, Valentina would
never have fallen in love with Carl, and left Jack for him.

None of this
I regret. Because if none of it had happened, I would have never have met Jack.

What I do
regret, however, as Safe & Sound’s Storage Unit Number 121 blows off the
back wing of the building, is that Jack never heard me say “Yes” when he asked
me to marry him.

I run past
the security guard, who stumbles out of the building in a total state of shock
and denial. Deadly blasts are way above his pay scale of fourteen dollars an
hour.

“Where is the
man who just went in there?” I shout at him “Did he make it out?”

He shakes his
head and cups his ear, to indicate he hasn’t heard a word I’ve said.

I pull him
far away from the debris field, which is scattered far and wide. Coats and
dresses and pants float through the air like cloth clouds, while bed frames
pinwheel through the parking lot. Family photos float down from the night sky
in a storm of confetti.

People hold
onto too much crap.

If something
is important in your life, you’ll make room for it.

I hear
ambulances in the distance, heading this way. I don’t have much time if I’m
going to find Jack. What if he’s injured and can’t get out by himself?

I run into
the building and down the main hall, but I can’t see which way to turn because
the smoke pouring out is too thick, and worse, smells like melted plastic. I
can’t breathe. My lungs are on fire.

I’m crazy to
think Jack has survived the explosion.

As I pass
out, the only thing I can think of is how I wish I’d been with Jack at the very
end.

(c) 2012 Josie Brown. All rights reserved. This excerpt may not be resold or redistributed without prior written permission from Josie Brown or Signal Press Books (info@signaleditorial.com).

 


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